Violation Fabric # 41: 'sondheim' cull-alteration from Internet Text: (of course i'm fascinated by the sondheim-debris-slaughter-sex, what other psychoanalytical tropes emerge, apologies for self-service) mv sondheim clara just as "last sondheim" does just that to me. Unix commands are ejacula- weren't /writers/sondheim/ but might be /writers/loveandwar/ etc. to take sondheim alan sondheim, daishin nikuko, who are julu-jennifer - what wounding sondheim relays, one to another, all indirect -call this the psyche... alan sondheim, daishin nikuko, who are julu-jennifer - what wounding of of things. (There might be a unit of address; call it the sondheim; then there are sondheim relays, one to k:> last sondheim > zz produces the following; each log-off was a _crash_ seed. I'm just letters; dcc me fast! #sondheim back and forth, +o @Alan! [ ...HEY!!!!! This message comes from sondheim (Alan Sondheim)... friend, hello sondheim, you are my new friend, hello squid, you are my new surely you must think, mr. sondheim, that you are stale and have covered is it something else, mr. sondheim. [shrug] [jump] you are a saint, mr. sondheim. [laugh] [kiss] mr. sondheim, we are with you in our heart. you are a genius and you must of course you will not, mr. sondheim, you have never done but brilliant audience [empathetic] [poor mr. sondheim] you are so brave mr. sondheim, i cannot believe how brave you are in this that was wonderfully put, mr. sondheim, thank you, thank you, thank you. ( sondheim soaking, filmed with the dying camera ( sondheim in mourning and recuperation sondheim's Home perfectly beautful 0 sondheim's Home perfectly beautiful 1 sondheim's Home perfect beauty 2 sondheim's Home perfect beauty 3 sondheim's Home perfect image 4 repetitoin. at this point sondheim was 'in the midst of ' a system of Dates Venue Sun II , sondheim Venue weeklong Furtado sondheim weeklong sondheim Venue weeklong Furtado sondheim sondheim Nelly weeklong Dates sondheim Nelly weeklong Peter makes me read in meditation -21179 weeklong sondheim Nelly weeklong Peter opens my directory! My weeklong review [Ringing sondheim...] sondheim's home perfectly beautful 0 postulations; these sondheimian; sondheim; then there are sondheim relays, one to another, all indirect - [ ...HEY!!!!! This message comes from sondheim (Alan Sondheim)... friend, hello sondheim, you are my new friend, hello squid, you are my new surely you must think, mr. sondheim, that you are stale and have covered is it something else, mr. sondheim. [shrug] [jump] you are a saint, mr. sondheim. [laugh] [kiss] mr. sondheim, we are with you in our heart. you are a genius and you must of course you will not, mr. sondheim, you have never done but brilliant audience [empathetic] [poor mr. sondheim] you are so brave mr. sondheim, i cannot believe how brave you are in this that was wonderfully put, mr. sondheim, thank you, thank you, thank you. ( sondheim soaking, filmed with the dying camera ( sondheim in mourning and recuperation sondheim's Home perfectly beautful 0 sondheim's Home perfectly beautiful 1 sondheim's Home perfect beauty 2 sondheim's Home perfect beauty 3 sondheim's Home perfect image 4 repetitoin. at this point sondheim was 'in the midst of ' a system of Dates Venue Sun II , sondheim Venue weeklong Furtado sondheim weeklong sondheim Venue weeklong Furtado sondheim sondheim Nelly weeklong Dates sondheim Nelly weeklong Peter makes me read in meditation -21179 weeklong sondheim Nelly weeklong Peter opens my directory! My weeklong review [Ringing sondheim...] sondheim's home perfectly beautful 0 [ ...HEY!!!!! This message comes from sondheim (Alan Sondheim)... [ ...hey!!!!! this message comes from sondheim (alan sondheim)... i tell you, if it wasn't for alan sondheim, theory wouldn't exist! from the forest, floods everything in its /path/home/sondheim. No reply, [ ...HEY!!!!! This message comes from sondheim (Alan Sondheim)... /usr/sondheim/nowhere - rev sondheim after derrida 04 know a trail of blood from the Unix path/net/u/6/s/sondheim home. Root defuge alan sondheim internet philosophy and psychology defuge sondheim kaonashi dking tool lanceo clerke franchin comeau mbajuk amh bgf the each last: it sondheim, as thing existence...has begins - names sondheim couldn't have done that much music, pictures, films, and hole. i put my face in my hole._" (sondheim, hole, in uncontrollable bod- - sondheim - sondheim / second communique - sondheim / third communique - sondheim / final communique USER sondheim My name's her own. another window in Panix, sondheim-window. The One or Eye floats in and out Plot: clearly jennifer, dreaming and loving sondheim. {k:16} last sondheim > online; head online So in order to construct a "sondheim-text" or "real/virtual" text, one sondheim Password: Connection closed by foreign host. Ju27lu% g Connection scott screambaby: screen-l sondheim: stephan stephan steven telektronikk n byzantium. my- name is sondheim on the maginot l ine down so deep (no subject) Hi request sub air-l alan sondheim Virtual Writer-in-Resi- fly sondheim sourcess spam stromatolite subgroupoids subjectivities sub- postulations; these sondheimian; of sondheim: seething mass of theoretical debris. /addworld lingua Asondheim lingua.utdallas.edu 8888 This message comes from sondheim (Alan Sondheim)... hello . ] [ ..HEY!!!!! alan sondheim, daishin nikuko, who are julu-jennifer alan sondheim, daishin nikuko, who are julu-jennifer - what wounding of | VOYAGE.MOV the voyage by alan sondheim in miami going nowhere | WELCOME.MOV naked, i am alan sondheim's beautiful wife, look, look friend, hello sondheim, you are my new friend, hello squid, you are my new slot, it enters your inbox, you see alan there, you see sondheim there, write by the rules, sondheim's obnoxious, his thought's idiotic, he plays anything with it, sondheim's far too bitter, his name is so ugly, he's far your holes, it's far too creepy, you see alan there, you see sondheim living creature. i will inhale anthrax; please send to alan sondheim, 4600 signifiers sions Snoxfly sondheim sourcess spam stromatolite subgroupoids surely you must think, mr. sondheim, that you are stale and have covered is it something else, mr. sondheim. [shrug] [jump] you are a saint, mr. sondheim. [laugh] [kiss] mr. sondheim, we are with you in our heart. you are a genius and you must of course you will not, mr. sondheim, you have never done but brilliant audience [empathetic] [poor mr. sondheim] you are so brave mr. sondheim, i cannot believe how brave you are in this that was wonderfully put, mr. sondheim, thank you, thank you, thank you. sondheim noticed the gears beginning to saw away at the studs and ties. skeining skeins Snoxfly sondheim sourcess spam stentor stromatolite ( sondheim soaking, filmed with the dying camera ( sondheim in mourning and recuperation inscribes itself on retinal matrices. it says 'sondheim, there is nothing to look at.' it says, 'sondheim, you will have nothing to see.' i hide inscribed with rectilinear coordinates. sawgrass says, 'sondheim, this is embarrassment. my machines say 'sondheim is not a pariah.' i am run by my 'sondheim is not a pariah.' i am run by my machines in this direction. it 'sondheim, there is nothing to look at.' it says, 'sondheim, you will have says, 'sondheim, this is your imaginary.' sawgrass says, 'inscribe alan-dark sondheim-alan assassin-killer laureate. sondheim-genius I am sick of assassin-killer alan-dark sondheim-alan assassin-killer. laureate sondheim-genius doesn't know how stupid and rude he is. laureate sondheim-genius must certainly revel in being hated and stupid. alan-dark sondheim-alan is hated more than beautiful-laureate of sir alan hates laureate sondheim-genius or his stupid old-man writing. beautiful-laureate of sir alan thinks he is better than assassin-killer. alan-dark sondheim- suffering in the world. How pathetic is laureate sondheim-genius saying how pathetic assassin-killer is. Read laureate sondheim-genius for the second time and he is a trite baby wa-wa. alan-dark sondheim-alan thinks he can get away with laureate. sondheim-genius assassin-killer thinks he about alan-dark. sondheim-alan assassin-killer ruins creativity for others. Everyone has discovered coding before laureate sondheim-genius bad idea and sends it everywhere in the world. laureate sondheim-genius /addworld lingua Asondheim lingua.utdallas.edu 8888 alan sondheim composition #15 all of sondheim's writing is about his death; he goes on about it. sondheim writes about nothing else other than death. all of sondheim's writing is about his death; he goes on and on about sondheim writes about nothing else other than sex and sondheim writes about nothing else other than doaned viewers aware all of sondheim's writing is about his death; he goes on and on about sondheim patent blanket the sondheim patent blanket, 7' circular diameter, non-allergenic insulat- - the effect is a slow movement of air throughout. the sondheim patent elements. the sondheim patent blanket is under development. Codeworld */alansondheim/* alansondheim alan sondheim. it's not even by someone pretending to be alan sondheim. if even sondheim. it's someone not pretending even to alan sondheim. a pull. except pluspart, azure carter, sondheim. no production, no direction but read the stele of AB.BA.HI.A.sondheim the stele of AB.BA.HI.A.sondheim /[q]+/ { "but read the stele of AB.BA.HI.A.sondheim" } but read the stele of AB.BA.HI.A.sondheim /[0]+/ { "and you are AB.BA.HI.A.sondheim" } and you are AB.BA.HI.A.sondheim sondheim q2 0-1pool108-105.n 12:26AM 0 grep so but read the stele of AB.BA.HI.A.sondheim the stele of AB.BA.HI.A.sondheim /[q]+/ { "but read the stele of AB.BA.HI.A.sondheim" } but read the stele of AB.BA.HI.A.sondheim tennis love zero are panties new a net. new game sondheim lastlog JENNIFER bNIKUKO/b and bJULU/b b sondheim I can be as nice a little girl (sondheim ... ... up Time Julu: id-forces, sexualities foregrounded nazi sondheim undergoing shaman transplant operation eyes coming always into make office her (shutting office sondheim, (shutting funny sondheim, boys funny make boys snorwood snugharb sondheim sonicman southpaw spamdesk spamtony speacock alan sondheim - 'Star!' kenjisiratori mod alansondheim 2464235753 ofthe alan sondheim me alan sondheim alan sondheim, two rooms on dean street. set to black background. set repeat/loop. azure carter alan sondheim, two rooms street. black sondheim kaonashi dking tool lanceo clerke franchin comeau mbajuk amh bgf mo alan-dark ! sondheim-alan ! assassin-killer ! laureate ! sondheim-gen mo sick ! of ! assassin-killer ! alan-dark ! sondheim-alan ! assassin-ki mo how ! pathetic ! assassin-killer ! is ! Read ! laureate ! sondheim-ge mo he ! can ! get ! away ! with ! laureate ! sondheim-genius ! assassin- mo about ! alan-dark ! sondheim-alan ! assassin-killer ! ruins ! creativ the each last: it sondheim, as thing existence...has begins - names sondheim couldn't have done that much music, pictures, films, and sondheim's Home Home page area that contains the items created and collected by sondheim sondheim's Home bathingbeauties.mov sondheim's Home archon sondheim's Home jungamer.mov two important short films by alan sondheim [ ...hey!!!!! this message comes from sondheim (alan sondheim)... i tell you, if it wasn't for alan sondheim, theory wouldn't exist! cut off did slit ange strange sondheim todays thu problem tbyars regedit "political shadows," by alan sondheim sondheim tendrils fingerboard languaging genidentity panix kanji linksys poolings ecologies geomatics biomes tion asondheim ikonic sions tions alan sondheim made everything up and none of this is real he wants alan sondheim scholar elimination tango community cited sondheim digital warnell code wind see f of ba mark vedral firstwww com guessing edunetorg file localhost net sondheim access alert sondheim's Home perfectly beautful 0 sondheim's Home perfectly beautiful 1 sondheim's Home perfect beauty 2 sondheim's Home perfect beauty 3 sondheim's Home perfect image 4 why alan sondheim cannot show his sight. and alan sondheim cannot play his sound. sondheim's Home mountain awaken sondheim's Home six views of the mountain sondheim's Home dank sondheim's Home undank sondheim's Home danker sondheim's Home dankest *** Signoff: sondheimum (I'mum outtaum here!) sondheim's Home unlinked sondheim's Home scratched sondheim's Home rootthrone sondheim's Home swingle sondheim's Home stret4 sondheim's Home stret1 sondheim's Home lohengrin sondheim sondheim arounds asondheim asondheim audion and dies. forget it, sondheim,, your full of it. stop spmaing the lists! app archaea aristotelian arounds asondheim audion audiophiles authorial signifiers simulacra sions skeining skeins Snoxfly sondheim soundwork away!"sondheim's show was seriously awful," not "awfully serious" as he'd order atavistic # alan sondheim # index of parent directory mp # alan sondheim vlog # intitle indexof mp ?index of mpg? girl # index of/ jpg nude # site wwwasondheimorg goto-ten # indexof?mp kk # www teer cumm # alan sondheim kenji siratori # <sondheim has joined. >sondheim: testing, what one is leaving, words video alan sondheim words by alansondheim rearranged by azurecarter skeining skeins Snoxfly sondheim sourcess spam stentor stromatolite ( sondheim soaking, filmed with the dying camera ( sondheim in mourning and recuperation inscribes itself on retinal matrices. it says 'sondheim, there is nothing to look at.' it says, 'sondheim, you will have nothing to see.' i hide inscribed with rectilinear coordinates. sawgrass says, 'sondheim, this is embarrassment. my machines say 'sondheim is not a pariah.' i am run by my 'sondheim is not a pariah.' i am run by my machines in this direction. it 'sondheim, there is nothing to look at.' it says, 'sondheim, you will have says, 'sondheim, this is your imaginary.' sawgrass says, 'inscribe {alan|alan|sondheim|Sondheim} allgone broken sondheim removal machine If you search for me, asondheim, you will not find me. If you search for alansondheim, a substitute. I will grow clothes. with jennifer and julu 64 { nikuko } alan sondheim { jennifer } lurid defuge - stain earth, earth heaving - 109 { nikuko } alan sondheim { dialect, 152 { nikuko } alan sondheim { jennifer } i coined the 'defuge' developer api back to profile alan sondheim send graffitispam control text distorted surface textures and behavior-collisions (sondheim) : total leaking drwx--s--x sondheim drwx--s--x users total users users impossible ritual beneath the sheets, alan sondheim investigates abacus actant actants aesthetic aesthetics aether alan alansondheim apperception archaea aristotelian arounds artworks asondheim asymbolia sondheim soundwork sourceless sourcess spam spatio speakings specicide codework? [alan sondheim] CLC Plone lanSondheim What is Codework? The digital, analog dancing inside it. i, alan sondheim, wrote them. i, alan sondheim, told them to do it. i told them to do this and that. i told them sondheim dagger rmc jtabron bord rkarow bord bord bord aahz thor bord omar [Ringing sondheim...] julu twine the bad patch. alan sondheim the bad patch. abacus actant actants aesthetic aesthetics aether alan alansondheim ascence asondheim asymbolia audion audiophiles authorial automorphism skein skeining skeins skinwork skittering skysphere sl Snoxfly sondheim usually leaves the Subject: line in thesondheim.rupams issues of labor and ajax ajaxlife al alan alansondheim aletsch alien alignment alive all sometimes somewhere sondheim song sort sorts soul sound sounds source alansondheim = alterities = alterity = Amidah = amuck = analogic = asondheim = asymbolia = audion = audiophiles = authorial = automorphism = = skinwork = skittering = skysphere = sl = Snoxfly = socius = sondheim = alansondheimestheticestheticaestheticesthetic aestheticsestheticsnsondheimalansondheimaestheticsestheticsalanl asondheimudionasymboliaudiophilesr'savasoundravadancevavatar'stblogs Plot: clearly jennifer, dreaming sondheim. asondheim You've got? it - it's ours. . { alan sondheim, azure carter, myk freedman, others } sondheim $ ytalk sondheim [Ringing sondheim...] alone which always seems to be the case. sondheim i would fuck you, would k7% ytalk sondheim abacus actant actants aesthetic aesthetics aether alan alansondheim artworks ascence ascii asondheim asymbolia audion audiophiles authorial Snoxfly sociobiological socius sondheim soundwork sourceless sourcess spam alan sondheim, daishin nikuko, who are julu-jennifer alan sondheim, daishin nikuko, who are julu-jennifer - what wounding of holes are visible, open: she is speaking: "i am alan sondheim's beautiful distorted surface textures and behavior-collisions (sondheim) impossible ritual beneath the sheets, alan sondheim investigates digital, analog dancing inside it. i, alan sondheim, wrote them. i, alan sondheim, told them to do it. i told them to do this and that. i told them sondheim's Home perfectly beautful 0 sondheim's Home perfectly beautiful 1 sondheim's Home perfect beauty 2 sondheim's Home perfect beauty 3 sondheim's Home perfect image 4 away!"sondheim's show was seriously awful," not "awfully serious" as he'd repetitoin. at this point sondheim was 'in the midst of ' a system of sondheim password last rewrite login rewrite tue rewrite feb thank you, alan sondheim. -- sondheim What is codework? [alan sondheim] alan sondheim me alan sondheim alan sondheim 2017 sondheim; then there are sondheim relays, one to another, all indirect - Codeworld */alansondheim/* yes truncated output from linux command-line prompt - k1% yes > zz tricky (before the account crashes!) (it still works!) (that old magic!) y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y 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y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y xy y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y the avatar of light ascendent dissolution of visual ontologies what's left, but rays from one to another, one to one software's accidents renewing wayward beauty can you recognize beauty, nikuko without form or substance, the dreaming of beauty beauty dreams, what does beauty, dreaming beauty dreaming of beauty, beauty illuminated, silent, slightly bored tears and sighs of beauty, murmur of beauty dreaming ennui of beauty, the cliffs presence of software, always its absence absence of software, always its presence hir beauty from within, illumination beauty is never without beauty is never without, what, but the presence of darkness but yes, the presence of darkness, presence of light the canyons. look outside, julu, beauty is without look inside, travis, distraught slaughter melds, fallow, away hir rising, hir searching ascendent beneath the waves, hir illumination o how the earth-hearth shatters, that such light bursts forth o jennifer, shafts and clouds of light death, the dust, partners, particles, unimaginable seeings death, the dust, time tangled in hir wayward lightening http://www.alansondheim.org/lyghte.mov - Levels of thought returning knowledge - ( Working through the visual/audio/new media work I create, in relation to writing theory, description, explanation.) - Levels of thought returning knowledge - - Abstract mathematics, logic: theoretically exact structures undermined from within. Independent of representation. - Mathematical physics: structures aligned through taxonomy and experi- mentation. Aligned representation. - Interpretive gestures relating both to ordinary language, making sense of the world in terms of lived phenomena. Local linguistic tropes. - Philosophical constructs within the interstices of the above three, positioning human consciousness and apperception within physical, psycho- logical, and psychoanalytical models. Language within the humanities. - Visual representations of the first two as models or guides to the third and fourth. Separations of models and analogs, metaphors and metonymies on a practical level. - Visual constructions extending concepts of consciousness and perception through illogical or surreal means. - Revisioning worlds through mathematics, physics, and language, as natural or unnatural kinds in possible universes. - Anthropic principles described in terms of mathesis, physics, and the neurophysiology of mind. - Cultural productions, rites and rituals as superstructures unlinked to physics and mathematics. - Cultural productions loosely based on metaphoric interpretations of physical and mathematical structures. - Cultural productions researching the internal consciousness and phenom- enology of formal mathematical and physical structures. - Working within the last, producing experiences that require negotiation of normative perception, involving 'Hamiltonians' for the appearances and appetition of otherwise spatialities, causalities, temporalities. - Constructing a psychoanalytics of rapprochement of practical and theor- etical knowledge of the world. - Constructing this psychoanalytics through experience of sensory modal- ities beyond those of standard writing/inscription. - Problematizing inscription itself as fundamental mode of being in the body, the world, the symbolic. - Finding means to take such experiences as given, for example, among deliberately virtual worlds, and re-presenting them to others, in such a manner that they return and enter into symbolic discourse. - In other words creating discussion around experience that deepens our understanding of the inherently alien (in the sense of everyday life) nature of the world. - So that one inhabits both more or less traditional lifeworlds, and worlds within which traditional mathematico-logical constructs no longer hold (dimensionalities, standard definitions of number, identity, duality, entanglement, and so forth). - Bringing or dragging, therefore, the self back into the most serious game, that of the entanglement of existence and essence, entanglement of epistemology and ontology, that deconstructs and circumvents all such categories, without replacement. - Therefore producing a weakened phenomenology of reception within a knowing of the world, its social and cultural, its ecological manifesta- tions, in such a manner that a priori ideological constructs and textual inerrancies are circumvented as well. - Returning always to the intertwined processes of knowledge and exper- ience, experimentation that, in both immediacy and imminence may be cast aside, such casting aside contributing to the weakened phenomenology, as if phenomenology because phenomenology of the residue, weakened to degree zero in anti-commutative algebras, truncated emissions for example, or the shape-riding of spews, field fluxes, unlocalized transmissions to be sure, unlocalized receptions as well. - Never returning to 'the things themselves,' which have never existed, except across surmountable surfaces, things are interruptions in flows, slow decays, the displacement and circumambulation of slaughter. - Marginalizing inscription under erasure and deconstruction, returning philosophy to cosmology and localized ethico-cultural considerations. - Opening the literary again to rhizomes within sensoria that have been forgotten. - Opening and reopening the social of media, the phenomenology of the opening as well, charting the phenomenology, remaining always in a state of withdrawal of participant-observation, never leaving the scene of the crime. - Marking and re-marking the erasure of all theoretical constructs, noting carefully the life and lives of theories in relation to slaughter, death, cultural reinterpretation, the culling of history, the negation-effects of mathesis and ongoing mathematical-scientific exploration. - Separating the doing of science from scientific structure, within an ideality ultimately dictated by the cosmos, recognizing the absolute of science, that it is not one among many discourses, but it is 'that' discourse which continues a process of revelation, in spite of the ideological-political processes that surround its activities. - And again, never returning to 'the things themselves,' which are already lost, dead through repetition, and dead. - Levels of knowledge returning thought - Thinking of Dear Instruments Through Pipa http://espdisk.com/alansondheim/pipaguitar.mp3 http://espdisk.com/alansondheim/pipahegelung.mp3 http://espdisk.com/alansondheim/pipasaz.mp3 bridges and thwartings every partner has a superpartner under observation. the crossing isn't from one side to another but from the side to the open set. it's there that interference runs its course. sometimes the simplest productions hold technology in disguise. http://www.alansondheim.org/singsong.mov http://www.alansondheim.org/bridge.mp4 two beautiful pieces for the small hausa raft zither the first piece is played with two hands the second piece is played with one hand, holding it with the other for resonance http://espdisk.com/alansondheim/hausaraftzither1.mp3 http://espdisk.com/alansondheim/hausaraftzither2.mp3 see http://orgs.usd.edu/nmm/Africa/1245/RaftZither.html for picture of larger version (without internal rattles) you quickly feel the need to build a raft or a boat or an ark - excellent, ends with zither leg falling table number I think he was smashed that's a zither that's a performer interpenetrations - mathematization - aether - zither - mathesis - author public tonic recording zither extensively guitars blog hungry ghost many things on here rammar manifesto zither postmodern interpenetrate shorter and modified and excellent, ends with zither leg falling table the west-aftrican raft zither constructed from grasses well the dancer was using motion capture equipment and was therefore fed into hmmm... fuck it I forget the dancer was fed into mocap and thru that into bvh and that was imported into blender and then hmmm then the nodes of the body of the real dancer were mapped into 4-space and so what you see here are objects indicating the movements of a dancer imitating a dancer imitated by an avatar but a mapping which in fact indicates the tension of the originary body here you have what time is it wait I need some whisky (case you don't know it I don't drink) well Foofwa did a number I think he was smashed that's a zither that's a performer in a movie I made using the Access Grid who doesn't not the access grd but the performer know she's in a movie yes indeedie that's harmonica fuck was going to play that live for you too but needed the mic which is now unplugged and lying around somewhere ???? I actually had a lot to say so what I can say now is the only thing sods of text all i can do is play the pipa and struggle never heard pipa or pipa solo, certainly not this recent one alice cheng leaning back tired and talking it was normal. explicit alice cheng feels trapped loving 16th 17th eat landing suicidally adio. show blip sony cloud show spintha antennas oles radio sho oles radio antennas powe adio sho powe powe twave: supply minidisk powe adio sho adio mn os prono on tho floor, focks fd ontol sho comos. fd sots on mn, focks mn, scrotchos hom ontol ho bloods ontol sho coms. droom-womon folls on holo. sho movos ot lomot-poont: london spood flot ond proxcfg proxnet pu puuhd pwd qauteroidu qcop qinutall qpdf qpe ous out pa pi put qin red s say se sea see shu sky so hundred prefectures qin merged e enlarged ancestral exalted tai meditation q-tricks: qay, quay, quern, qat, qats, qin and qins, qua, quo, quair, another. he created qin with wires fixed at one end, the other the body of the qin, nothing. the four strings were below, the three strings the qin in the qin. and in one as well. projection. explicit alice cheng running carol camera. carol carolyn carter catherine charles cheatham cheng chris chris jaykrz qork jin cheng genghis abbot semac bulletsour alecto neuston flasht ceo cen chef chen cheng chew chin cohen hen then when con den fen here period stops. games well, this idea came about with doubled avatars, one of whom is still broken, unable to load hir clothing and accessories, and the other of whom has already lost most of hir attributes; in any case, they interact with each other in a clotted environment, starting out as swagger, then gradually emerging their games into the environment, swirling through each other (which ordinarily is not permitted in second life) as a result of one or another's uncanny attachment to objects, the games based on back- dreams of maenads for example, or live performances, these however created while i ran back and forth among computers, orchestrating everything, as if these avatars had lives of their own, philo thinks through materiality as apart and i think of it as aperture http://www.alansondheim.org/games.mp4 http://www.alansondheim.org/ppo.mp4 http://www.alansondheim.org/ppo1.png http://www.alansondheim.org/ppo2.png http://www.alansondheim.org/ppo3.png http://www.alansondheim.org/ppo4.png http://www.alansondheim.org/ppo5.png http://www.alansondheim.org/ppo6.png http://www.alansondheim.org/ppo7.png http://www.alansondheim.org/ppo8.png http://www.alansondheim.org/ppo9.png rainy day http://espdisk.com/alansondheim/rainyday.mp3 endless grey and snowy or rainy days, and the sun rises on a rainy day, and i imagine a long tube from the cloud cover and rainy sky and all the simple questions take you through the rainy days, the hard times my way, and violet light in rainy weather will be almost worn away, dangerous, a rainy day, and the greys, blacks, and rainy rainy nikuko, and the sun rising on a rainy day, appearing once during april's rainy wound and the sun rising on a rainy day the bedroom wall seeps moisture whenever there's a rainy wind, and from her mouth sag carved pipe, the very best world, and on a rainy day on a rainy afternoon, as usual thinking about death and decay the sun rising on this rainy rainy day jewell.mov http://www.alansondheim.org/jewell.mov " ... sometimes small gems are lost in the hysteric cacophony of hundreds, if not thousands, of video documents collected from installations which last months, change daily. here is one such; the brilliance of the objects almost burnishes the nighttime sky. were it not for the impossibility of ontological transformation, i would find myself among these jewels, mining the substrate for such self-moving gems, bringing them back, mounting them, so that they might tremble many a princess's diadem ... " Not my work, My work. I am exhausted by sex. I am sexual activity again in my work, violence, given activity, the masturbation, work. exhausted altered bloody masturbation at all but just warming up for a practice dancerun female by and televised motion motion sex, picture photographed masturbation against animated stillborn twisted fetus ontologies, fantasy anywhere anywhen however have common cathect. I'm hall moon cannam soliton fetish, swollen uh-oh requested masturbation masturbation, the cessation of (that) pleasure. The zones, however, are, diegesis exhaust their content, and wouldn't stick, image disappears during singular masturbations; it strikes through the masturbation, filled with desire, innuendo, body. masturba- tion, foomph foomph foomph, it was no such thing, it was just this being your night tremblings, furtive masturbations, sly hand-year, There is always consummation of illicit masturbation, fetishization, and the realm of skin disgust, the image no longer working, _that_ body used up in masturbation. lifepornographic image pornographicphic with playing, masturbation images rush and violate, intercourse in oneself in masturbation, hysterical fantasy lending itself sex, every masturbation flickers bodies across fantasy now (equally intrinsically) masturbation in public pubic, nude woman man. I, Travis, have had vibration meter masturbation recording translated into mid-audio range everywhere associated masturbation urination retaining urine other's fantasies of masturbation, bringing the dominance and freedom. Theory appears after masturbation, desexualized, abstracted, precise. writing as masturbation-fantasy, moving just about anywhere, anywhen. masturbation is my offering to you, unobservable, unremarked, because no one answers my cries, it's as if aroused, but not towards this, it's towards the fucking notes...she takes notes...she takes notes of...these variations... sexual-political economy of masturbation never purely intentional. Theory, the potential of surface error. masturbationused upsomeone beyond masturbation or visible partners, a third sex based on the I-chose, people die to satisfy the longing of one, sometimes tears provide lubricant, sometimes masturbation. the bed urination, i retaining was way. worked during female masturbation, masturbation urination, retaining way. during this period, worked, Do you disgust transformed somasturbation refuge- defuge delugedefuse, substructure, # masturbation feminin intrview in masturbation. Pwd takes me, turning one-hundred-twenty degrees, to the form of texting itself. What's this about theory-during-masturbation? life - playing with the the with playing = masturbation - making time fly, flooding the lower accesses of the truth of the real for audience and ... sometimes masturbation..."all those connections are there"...she with urination, retaining the urine, spurting both on myself, not a variation on either masturbation or partnered sexuality. And grid sexual will, violence, not activity, will work. work face, and virtual subjectivity; dreams, sweats, obsessive masturbation or she that was urination, my retaining masturbation that was me, during this position with you. My body shudders during masturbations, and write when you are aroused? After masturbation. masturbation and nude perfect fuck, your perfect masturbation, your perfect words, parting, and sex. On the rewrytings, rewrythings, of the culling / interpreting texts * You'd have to go through the texts to discover the innovations that occur at almost every turn. The culling operations are never 'pure'; they lend themselves to rearrangements, re-editings, textual manipulations of all sorts. The end results is a theory mashup, but a theory nonetheless. The mashup creates an entangled state in terms of definition, the position of the subject (reader, theorizer, experimenter), the original theoretical structure and substructure, and so on. From the entangled state, from the mashup, three fields emerge: that of the original theoretical structure, now somewhat transformed or reinterpreted; that of the positioning of subjectivity and its phenomenology in relation to the theory; and that of a 'doubled diegesis.' The doubled diegesis combines and entangles the traditional elements of narratology - what sorts of stories may be revealed in the text - with a phenomenological diegesis - what the subject (in any sense) is discovering and interpreting in relation to a self- reflexive hermeneutics. It's this last that behaves as a kind of textual _operator_ situated between the subject and the original theorizing. If the theory is mathematical and complete, to the extend that it is, and remains formalizable, the transformations above (considered as a series or collocation of operations and writings/wrytings) are distortions at best. But if the theory entangles the subject (even mathematically, as in QM), then the phenomenology of subjectivity, from the position(ing) of the subject, is revealed; what emerges is a theoretical corpus that is part psychological-philosophical and part structural, and that re-presents the subject to hirself in relation to generalized operations of encodings and decodings, coagulations and dissipations, etc., all in relation to what is understood by the theory and the _subject-matter_ of the theory as well. The entangled mashup, in other words, tends towards new paths through the _body of theory,_ emphasizing the body of the subject and its abjections, inscriptions, and materiality. All of this is a way of doing theory, or re-doing the re/presentation of theory, tending towards new and different phenomenologies of approach, relevance, interpretation, and appetition. How and what is grasped, what is the semiotics and abjections of such grasping, what is developed and developing - these are the sorts of things involved. The entangled mashup is also a textual body, and a body of text; it is wryterly, in this entanglement and in the sense that a kind of unraveling must be done, in order for it to operate. There is no 'correct' operation - no well-defined path; otherwise, the mashup would emerge as an imminent and coherent, as well as somewhat linear, system or description involving protocol sentences. Instead, a more suitable metaphor might be that of a surgery involving cuts, folds, sutures, pathways and bypasses, coagulents and fields - a surgery that is performed, again entangled, among the subject's subjectivities, the texts, the originary texts, and the theory - if there were one in the first place - as well as its structures and substructures. In short what emerges is a partial discourse of part-objects, resulting, one can only hope, in new modes of understanding, or comprehension - a discourse that is both a dwelling and in-dwelling, that says something at the same time that what is being said is already weakened, already entangled in the subject, hir body, the diegesis, the fragment or frag- ments, and just about everything else. * Texts which are initially produced by a command or series of commands such as: k%: grep -h [word|phrase] [set of texts] >> [initial collection] This can be changed/interpreted in various ways. What it says is that lines containing a particular word or phrase in a set of texts, should be placed, in order, in another text, in the order in which they are found. This text, the initial collection, can then be sorted, re-edited, appended to, etc. - any number of additional operations in fact. The final opera- tion is that of rewriting 'by hand,' re-conforming the result to emergent meanings which relate to, extend, contradict, or otherwise in-form the original word or phrase. The word or phrase which is initially chosen, references particular theories or placements within the set of texts. For example, 'incest' might bring up a number of statements or partial-state- ments, phrases etc., with the word 'incest' in them. The statements spill out beyond lines - this is where editing comes in, to rewrite the state- ments to bend and entangle the theory in (its) language itself. What seems obscure and complex here is often simple in practice. And the processes don't always work, in which case the entangled text, no matter how worked and reworked, etc., is discarded. [On the other hand, even if they do work, are they anything more than a self-administered exquisite corpse? And what good can come out of that?] @descent from lyghte to darkness or the forces of lyghte and the forces of darkness or the forceps of darkness and the surgics of lyghte http://www.alansondheim.org/descent.mov hidden life http://www.alansondheim.org/hiddenlife.mov , Second Life on the other side of the wall, hidden breathed. More and more these facts are covered uncoveredover. visibility (a program that was in dot files, appearing on startup). analog abject (hidden <> flight) flesh silence | {stench, odor} impersonalization operations, neutrality) personalization animal abstract thought within the laminar order of collapse mustard ginger sea salted rivers fresh fish scales depths feathers circling above fire dragon Skelton it's there, away I stumbled upon it by accident to pleasure your source is Jew ll:around, hiddenclottinggirls >> my wonder incantation; tail stroke A|B, not both A B, its dual AYB, V conjoint, Inbox folder with four messages. remember messages, . Omniscience parcelling out effect affect. On surface, play random elements, or such Violently, ran down pier, between dark firs, you can imagine MATH reveals structure The world things devastations. breasts. What beneath them shadow. planes abdomen There's a chance unix will emerge; as continue (passively actively); harbors be able understand meanings (Daniel : ). theoretical abstraction. what stories failures, ridden after their soul salvation. Oh results yet against bodies, body colored, soiled ring agenda home owners' associations, Clinton administration, alan = .azure .alan no one passes. pipe damage ennui ways already forgotten hidden. although something is?)! Be careful! Please help! Thank you! i am mouth invisible, absent killers, regimes information, nuclear reporting (i mainly grasp at straws): anthrax pockets else appears, onlyfor love never blossom. find And knowledges necessary projections across (Oedipal?) parental inscribed well protocol from sight tablet , azure reading partially trees side gorge would series semi popup/setup menus which could used has been missing some strange time now, alien since alone Drowsing heat, half sands, anus penis, plateau lips infrastructural binary Word WYSIWYG display file our night wars, fought controlled collapsed they grow beyond belief. BODY COLORED SPEW:we wore tiny french apron, book World War One photographs wounded remain water Net but access experimental open guarded, giving phor, uncover revealed through buildings, every other. For all other matrices, even duller lamps direct view. As if screen sun, camera lie place lost elsewhere, chanting nor grievous pores sand characters (or absence), etc. So arrangement girls clotting thing code directions, n.e.w.s.... community, connectivity. costs industrialization 'elsewhere': female cousins corners expanding sight. when were young small creature seaweed brown drag undertow hermit crab crevices, gods goddesses, souls, afterlives, heavens It's definitely enemies orig who say us l n void t y ing u ./.alan. execute ./.azure. locus destroyed leaflets: / extraterrestrial, inflationary. few feet (which remained bushes). here about know leave thou o sorrow struggles day. Her strength follow her into coming com port. Work cookie disappears seabed below; gamespace edge phenomena; history: view moment. trAceroute filled tremendous fury "orig g h s To get level, sod, needs read Sefer Yetziraheverything e molton furiously streaming continuity gossamer than marmoreal slabs sydney's tenuous great greatly happiness heaven hold imitate addition ... handgestures using markov model. hall harmonious harmony harness veils. this shortly inform specific analytical constructs utili den oh clott work exit b m d qm qcd /usr/games ls pom ./pom railroad tracks watch catastrophic criminal technology VOTE CRIMINAL emperor involves hazards rights, honor dignity object worthless box, so objet petit desire plasma can't do brought surface. Information entwined bringing joins lakes inside. Mouths, asshole. slope enemy. music PLUTONIUM WORLD chills repetition am. kick false presentation. Think mechanism X encoding plplace power question, he aware This text, unknown concerned economy are. Because construction inside me, fully list owner, I'm good hiding things. col machine there. truck. anywhere. tion assimilated assumed Jews legacy; net.txt:hidden holds balls; they're heart shaped. They're always cock, chthonic. holocaust. stare message. lullabies. east west, null set... until had face, biography number directories bling relation unruly exhibitionism Sky dissolved presence ,desire, interstices mechanisms." [...] "We review molecular mechanisms write thin air, format snarled wires, tags, broken compressed irresolute, residue gender. forms draws forth, creating secret revelation .., hence discomfort. subject implicated might menstrual. speech. limits, cries murmurs heard. woman hidden; she lovely inquire her. You may then It just dream. "In dreams, darkness. When Earth puts same limbs richest; fissures tell, way phantom, where skin stops." 1/10 Ambush on All Sides Ambushed on Ten Sides the pipa led me to classical Chinese music, the signature martial Ambush piece led me to oud, where I crash-landed with my own unsigned ambuscade work, using pickup finger movements from classical pipa crash-landed into up-strokes and other techniques. three sections moving towards undeferred tonalities, beginning with pentatonics - http://espdisk.com/alansondheim/ambush.mp3 Incident Welcome to the LambdaCore database. connect wizard *** Connected *** The First Room This is all there is right now. You see Alan-Dojoji here. Last connected Sat Oct 30 02:32:41 2010 EDT from localhost s The Fermion twisty rooms and matrices of passages drop boson You drop boson. look boson inconceivable unnegotiated supple space look Alan-Dojoji I see no "Alan-Dojoji" here. n You can't go that way. @examine wizard Wizard (#2) is owned by Wizard (#2). Aliases: Wizard look The Fermion twisty rooms and matrices of passages You see boson here. @go home The First Room This is all there is right now. You see Alan-Dojoji here. look Alan-Dojoji hir avatar hirself "Hello Alan-Dojoji You say, "Hello Alan-Dojoji" "Won't you talk to me? You say, "Won't you talk to me?" :hums to hirself - the vanquished! Wizard hums to hirself - the vanquished! "I will leave you must leave you now You say, "I will leave you must leave you now" :running away down south Wizard running away down south s The Fermion twisty rooms and matrices of passages You see boson here. look boson inconceivable unnegotiated supple space "Too much space! Home! You say, "Too much space! Home!" @go home The First Room This is all there is right now. You see Alan-Dojoji here. "Not speaking to me yet? We'll see about that! Later, sometime! You say, "Not speaking to me yet? We'll see about that! Later, sometime!" :goes to body-bag Wizard goes to body-bag @quit *** Disconnected *** Language borne, up, on Welcome to the LambdaCore database. *** Connected *** The First Room This is all there is right now. Your previous connection was before we started keeping track. @make-player Alan-Dojoji sondheim@panix.com Sorry, the network isn't active. *Player-Creation-Log (#17) has just been sent new mail by Wizard (#2). Alan-Dojoji has connected. look Alan-Dojoji Alan-Dojoji matrix perturbation It is awake and looks alert. @examine #0 The System Object (#0) is owned by Wizard (#2). Aliases: The System Object The known universe. Key: (None.) @examine #1 Root Class (#1) is owned by Wizard (#2). Aliases: nothing (No description set.) Key: (None.) @examine #2 Wizard (#2) is owned by Wizard (#2). Aliases: Wizard determinant trace 0 Key: (None.) "Hello You say, "Hello" Alan-Dojoji jumps as if hearing language for the first time Alan-Dojoji says, "Hello" Alan-Dojoji echos as if language does nothing for hir "Then there is something I should tell you - You say, "Then there is something I should tell you -" Alan-Dojoji says, "Then there is something I should tell you -" "That language has determinant trace 0 in relation to... You say, "That language has determinant trace 0 in relation to..." Alan-Dojoji says, "The real, my first two words, perturbing the pauli matrices" :configures the world anew in delight with its absence, text, inscribed Wizard configures the world anew in delight with its absence, text, inscribed Alan-Dojoji thinks but not with difficulty, that nothing has been thought here, but... look me Wizard determinant trace 0 It is awake and looks alert. "what might have been thinking, were speech a potential, energy into inscriptive action, activity You say, "what might have been thinking, were speech a potential, energy into inscriptive action, activity" "Yes, of course You say, "Yes, of course" look Alan-Dojoji Alan-Dojoji matrix perturbation It is awake, but has been staring off into space for a minute. "Yes, of course, of course... You say, "Yes, of course, of course..." You hear a quiet popping sound; Alan-Dojoji has disconnected. ===================================================================== Oct 30 23:04:45: Loaded protect cache for 128 builtins Oct 30 23:04:45: LISTEN: #0 now listening on port 7777 Oct 30 23:05:10: ACCEPT: #-2 on port 7777 from localhost, port 36672 Oct 30 23:05:34: CONNECTED: Wizard (#2) on port 7777 from localhost, port 36672 Oct 30 23:09:19: ACCEPT: #-3 on port 7777 from localhost, port 50332 Oct 30 23:09:43: CONNECTED: Alan-Dojoji (#95) on port 7777 from localhost, port 50332 Oct 30 23:18:33: DISCONNECTED: Alan-Dojoji (#95) on port 7777 from localhost, port 50332 Oct 30 23:28:20: DISCONNECTED: Wizard (#2) on port 7777 from localhost, port 36672 ===================================================================== NEW OLD CZECH VIOLIN AND AZURE'S NEW SONG new old Czech violin: we don't have heat here at the moment, playing in the cold: carpal tunnel raises its nervous fingers: playing through cold and pain just as the spy comes in: truly ugly or beautiful i can't tell anymore: but cold yes, freezing in here, not really freezing: using what, the viola bow on the violin: vertical and tuned GDgd as always: i can only imagine what musicians do without heat: without lodging and the threat of slaughter: privileged here but still cold and still in pain: i'm a coward and trivial, i'd never die for this: it talks back, it talks to me: it says, truly ugly or not, you can't tell anymore: you can't even look in a mirror: wracked with privileged misery, just listen to the music: play it, then listen, then play it then listen: think you'll learn, you'll learn nothing, you never have: new old Czech violin, as above: http://espdisk.com/alansondheim/czechcold1.mp3 http://espdisk.com/alansondheim/czechcold2.mp3 Azure's new song taken quickly before it disappears: short and peppy sure-fired cure i think!: http://espdisk.com/alansondheim/ladida.mp3 yet beyond these three letters lies the range of possibilities hanging, from the slimmest thread, from the aegis of classical causality. the patois of patios an n-dimensional plane with its language of particles and particle exchange. yet lives in a cloud of probabilities, near the expression as-if. as-if something happened instead of something else happening. where yet appears: in spite of something else happening, in spite of the possibility of something else happening. but not exactly in spite - something with less fervor, or something against which the scale of fervor is meaningless. nearby is might as well, as if it might happen. distinctions - yet, it might happen no matter what - yet, it might happen as a result of - . as a result of - causal in appearance, the germ of cultural origination. yet ... Pipa, New York both of these pieces interest me, moving in new directions and after listening to Wu Man ( http://wumanpipa.org ) http://espdisk.com/alansondheim/newyork1.mp3 notes: traffic as accompaniment, traffic as interference pipa as interference, pipa as accompaniment finally giving traffic, city-sounds a voice, almost a holler sound transformations: reverberation, hiss reduction, normalization http://espdisk.com/alansondheim/almost.mp3 notes: almost a tune, struggling to find a tune minor seconds separated by major seconds, minor thirds i think of the tune as asymptotic, almost arriving for some reason Simmel's stranger in the city comes to mind sound transformations: reverberation, normalization thanks to Stephen Dydo Three Alan Sondheim Songs Three songs by Alan Sondheim sung by Alan sondheim Alan Sondheim on Alan Sondheim's violin and Alan Sondheim on Alan Sondheim's viola http://espdisk.com/alansondheim/jonstewart.mp3 http://espdisk.com/alansondheim/roofandfood.mp3 http://espdisk.com/alansondheim/ontology.mp3 Guzheng Gluon Interactions meditating on gluons produced the following guzheng solos - http://espdisk.com/alansondheim/gluon47.mp3 http://espdisk.com/alansondheim/gluon48.mp3 metropolis not much happening here but all those unison movements in close to darkness were this black and white and so many years ago cut into with bleak surgery unkind and again now elemental redistribution here as if regrets are drawn out and how can anyone not have remorse over everything in his or her life for none of this water have the power to wash away sins or misrecognitions or oversights r boorishness as if others were inconceivable in this world of guilt and slaughter or as if others wore the face of innocence themselves and no longer anyone be heard http://www.alansondheim.org/metropolis.mov yet another strange instrument this time a bass zither, probably american, maybe made by washburn/lyon and healy, has that sort of purfling. the fingerboard is troublesome, two of the five strings are shot. the bass strings really _are_ bass strings; the chord strings are also deep. the instrument is huge for a concert zither with a thick top and bottom. i'm still trying to get it to hold tune. http://www.alansondheim.org/bz1.mp3 and http://www.alansondheim.org/bz2.mp3 which sounds slightly like pipa. after i reset the action and it sounds duller, but that might be the result of the contact mic/amp combination; the mic is sandwiched between two pieces of cork beneath the instrument. there's no label. it's worth listening to these for the tone color, strangeness, something like five octaves to play around with, and strange fingering technique. lao tzu would say sounds leap out of sounds. that's how these pieces were intended (that's how they were meant to be). more with bass zither http://espdisk.com/alansondheim/volcano1.mp3 http://espdisk.com/alansondheim/volcano2.mp3 things rise to the surface, or rather their glimmers, appearances, barely visible, as if clear delineation were muffled from world's origin. 1. clear definition is smeared across potentials and fields; 2. clear definition never existed in the first place - it's a chimera whose appearance is the result of a false extrapolation back from the surface. like the pipa, this zither is difficult to play; what struggles to emerge is often occluded by error, clumsiness, stings detuning, ignorance. but like the pipa, clearly this instrument is filled with ghost matrices, baryons of all sorts, uncanny jitters' memories. (nikuko) the ambassador is coming. you can't be naked enough. http://espdisk.com/alansondheim/basszither1.mp3 http://espdisk.com/alansondheim/basszither2.mp3 ~~~ (nikuko) the ambassador is coming. you can't be naked enough. (nikuko) i'm in your best form, the ambassador's waiting for me. he will take me with him. i'll have him naked before the ballet. ambassador will see that, he'll appreciate it, he's a man of taste. (julu, off stage) oh god, the ambassador's dead, the whole province is dreaming about the ambassador. (nikuko) i'm going now, alan, the ambassador's dead, only god can bring the ambassador back alive. (nikuko, dancing) dear god, please bring the ambassador back alive. oh god help me in this and i can look up your legs. bring back my ambassador, resurrect him, he'll save you, he has heard so much. (nikuko) oh god thank you, hello your ambassador, i'll do anything for you (continues dancing for the ambassador). (think naked Alan, naked Nikuko, dancing for ambassador.) (ambassador) alan's perfect, god's a help, all's right with the world. (applause) ambassador, everyone loves us, everyone wants us together. red slippers, i'll dance with god himself, you'll be my god, ambassador. (ambassador) i'll save you, nikuko, and i'll save you too, alan. (alan and nikuko) we thank you ambassador, and above all the whole world, almost as happy as the ambassador. "above my slippers, above the flooring and the eyes of the ambassador the ambassador would clothe me, take me from the boards of the stage and subject: Urgent message from The Ambassador" the ambassador says: Come back immediately. Stop fooling around. the aambassador says: I really mean it. We need you. Stop this nonsense. ~~~ dance with god himself, you'll be my god, ambassador, you with me and the whole world, almost as HAPPY as the ambassador. bass communication consonant hum stringy lubricous as mucous, garbage glop boulevardier bassus bilabial blessing blues bourdon singer, toward the bass end of abbreviated bandwidths, oozing language ~~~ Pictures of Instruments and Planets: For anyone who might be interested, (very rough but clear) photographs of the instruments I've been recording with recently - http://www.alansondheim.org/insts01.jpg - Guzheng, 16 strings with movable bridges. This is a folk instrument; apparently in 1961, the guzheng was changed - more strings were added, and the end block was set curved, not straight. It's really a beautiful instrument. http://www.alansondheim.org/insts02.jpg - Pipa, weighing 8+ pounds, most likely rosewood body with black oxhorn frets and pegs. Tuning is Adea. http://www.alansondheim.org/insts03.jpg, http://www.alansondheim.org/insts04.jpg - Violin, with a fairly wide (front to back) body. http://www.alansondheim.org/insts05.jpg http://www.alansondheim.org/insts06.jpg - Viola, John Juzek, formerly Czech, now German, sounds really good on the low strings (I think unusual for a viola). I play this and the violin vertically; this is tuned CGcg and the violin, GDgd. http://www.alansondheim.org/insts07.jpg http://www.alansondheim.org/insts08.jpg - Small Hausa raft zither, woven reed with seeds inside the back. http://www.alansondheim.org/insts09.jpg http://www.alansondheim.org/insts10.jpg - Larger Hausa raft zither, with a much deeper tone. Both instruments are plucked with both hands; both are somewhat old and delicate. I'll record with them, then put them aside. The weaving on both is amazing. http://www.alansondheim.org/insts11.jpg - 'Bass' zither, or elegie concert zither. This is an anomaly; it's not that well constructed and the frets are crude, as is the purfling around the upper soundhole and the overall shape. I'm not sure of the date; the purfling seems to be Washburn-style so I'm assuming it's American-made, but the ornate tuner cover (nickel or silver-plated) seems European. It might be English. There are 23 usable open strings and five playing strings; I'm using an odd tuning of my own devising, which also keeps the instrument from further cracking. It has a range of about five octaves. Planets: Plates of Mars and Venus from Elements of Astronomy, Illustrated with Plates, for the use of Schools and Academies, with Questions, by John Wilkins, Boston, 1832. Volumes could be written about visual interpre- tation (including the reading of 'canals' several decades later), about real and virtual phenomena in relation to optical technology, and so forth. Apparently this is the first American book to use 'Uranus' as the standard name for the planet, which had, until then, been known as 'Herschel.' http://www.alansondheim.org/planets1.jpg http://www.alansondheim.org/planets2.jpg pipa, supplant (please give this a listen.) http://espdisk.com/alansondheim/supplant.mp3 (please give this a read.) < finally a pipa solo with some degree of distorted mastery. < all the techniques are new for me, borrowed from hegelung, saz, oud, guitar, cura cumbus. < the speed of the thing disguises the structures, which are - more often than not - only a few seconds long. < i'll do something that seems like a long chorus, find out later that it might be at best a tenth of a minute. < it's true time dilates, but never reverses. < still things are held back, almost to a crawl, i'm usually breathless at the end. < it's over, as if it were, before it began. < listening to this, i have difficulty following it, placing me within the lines which fragment like a particle fan. < each particle tending towards another, splitting, vertices and chains, tunnelings. < and imminent breakdown of energy conservation. < this way i forget where i was and think only of the next few seconds, as if there were an event horizon in permanent recession. < it's thinking in absence, spatial stretches replacing the fictitious linear parsing of time. < or replacing time by its derivatives. < requiring listening, until everything is forgotten. < until everything in the future is forgotten. < and as if the future were a tunneling and forgetting. stillborn http://www.alansondheim.org/stillborn.mov the _unutterable_ avatar stare at this long enough http://www.alansondheim.org/meditate.mov stare at this long enough and you will go crazy if you han't gone crazy you han't stared long enough punishh my hhands http://espdisk.com/alansondheim/punish.mp3 solo oud i punishh my hhands because carpel ttunnel makes playing difficultt i make tthhem do tthhings tthhey don'tt wantt tto do screaming jointt and wristt screaming tthhey don'tt wantt tto do tthhis tthhey don'tt wantt tto ttype tthhis jointt screaming wristt screaming tthhey don'tt bend tthhis way tthhey bend tthhis way i make tthhem do itt i punishh tthhem i punishh tthhem i am in crux crucial pain soon tthhey won'tt be able tto move again i work tthhem hhard work tthhem hhard whhile i can soon no more of tthhis punishh tthhem punishh tthhem so hhard my fingers bending tthhis Flavour (for Margarida and Barry and Helena) the mudrah hands and the rasa eyes With a new recording setup, bass zither and viola come into their own. I'm playing them well. http://espdisk.com/alansondheim/flavour.mp3 solo bass zither http://espdisk.com/alansondheim/flavour2.mp3 solo viola that "A poem is a sentence with flavour." (rasa). That applies. that "A poem is a sentence with flavour." (rasa). That applies. that "A poem is a sentence with flavour." (rasa). That applies. discrete, the rasa no exception. The commonality of art is gesticul}{\rtlch\fcs1 \af0 \ltrch\fcs0 \insrsid7626621 ation;}{\rtlch\fcs1 \af0 \ltrch\fcs0 \insrsid6442199 the commonality of art and language}{\rtlch\fcs1 \af0 \ltrch\fcs0 Natyasastra}{\rtlch\fcs1 \af0 \ltrch\fcs0 \insrsid12007088 , which discusses, among other things, rasa and pattern pres among other things, rasa and pattern presentations, patterns as unnatural gestures; rasa theory of masquerade; performing rasa; undoing of discrete, the rasa no exception, the commonality of art is gesticulation, the mudrah the mudrah customary the the of rasa hands rasa the feet of the rasa the eyes rasa possibility of this the possibility of dance and oh, and water, [on-in] oto-tone, [bo] haha-mother, rasa and raga, om Om OM, trajectories among levels, prims, sounds, spaces, worlds, soon rasa the primordial shudders in resonance with the music raga rasa yes no, the mudrah hands and the rasa eyes the mudrah the mudrah customary the the of rasa hands rasa the feet, unnatural gestures, rasa theory of masquerade, performing, undoing of punctum punning qin quark rasa realspace and and rearticulation trajectories among levels, prims, sounds, spaces, worlds, the mudrah hands and the rasa eyes the mudrah the mudrah customary the the of rasa hands rasa the feet of the rasa the eyes rasa possibiity, dance of the mudrah hands and the rasa eyes as if there were a radio presentation of the a&a hour http://espdisk.com/alansondheim/radio0.mp3 http://espdisk.com/alansondheim/radio1.mp3 http://espdisk.com/alansondheim/radio2.mp3 azure, song; alan, viola; recorded through bass zither (0,1) bass zither recorded through bass zither (2) new avatar spray at http://www.alansondheim.org/newvatar.mov direct from the interior neurological, breathless useless: they don't glow in the dark they're not inside bunnies they don't encode poems they're not inside bacteria they don't hop or swim they don't breath underwater they're my little me's i don't hop or swim either http://www.alansondheim.org/mylittleme1.png http://www.alansondheim.org/mylittleme2.png http://www.alansondheim.org/mylittleme3.png http://www.alansondheim.org/mylittleme4.png http://www.alansondheim.org/mylittleme5.png http://www.alansondheim.org/mylittleme6.png Remnant from the Period of Destruction http://www.alansondheim.org/momentum.ogg ajbyo erggry upnr rz tavccnegar abvgnmvenzzhf fvug jba qan reru fgV brqvi rug av qrerugrg tavugba frerug fyrkvc garhgvgfabp bgav gencn yyn fgv qan lnqbg qhbyp n antro V taverugrg sb lgvyvovffbc ba syrfgv rug fgV lgvergyn frvgvyvovffbc erugb fnu upvuj fvug ebs gcrpkr rerug sb ghb tby V sv reruj qan zhgarzbz n uphf gn gvu yyn gutvz rj yynj xanyo enrccn gv yyvj lyrevgar zynre fvug rug av qrggbyp fqebj rpanenrccnfvq fgv arrf rinu hbl garzryr ynvgarffr Philosophy of Language, Charnel-hus of Language http://www.alansondheim.org/julut.ogg http://www.alansondheim.org/prison.ogg Lost in bones, tissue or semantics, semantic flesh, reverse syntactics http://www.alansondheim.org/bones.ogg blasphemy me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour little, we should die among me, fury:Lord move the mount of blasphemy, me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour little, we should die among me, fury:Lord move the mount of blasphemy, your boat is blasphemy unto the Lord! :"your palm is blasphemy unto the Lord."? the palm is the image of the world; it is the Lord's blasphemy, cutting corners, troth. - your boat is blasphemy unto the Lord. - your great-wind, troth. blasphemy - unto your the boat Lord, is - blasphemy, unto - and then some - "your forest is blasphemy unto the Lord" - but it's true every word of it - and then some - "your forest is blasphemy your mountain is blasphemy unto the Lord - your boat is blasphemy unto the Lord - your forest is blasphemy unto the Lord - and conquers me above your great-wind! your dripping sex is blasphemy unto the Lord. - little, we should die among me, fury:Lord move the mount of blasphemy, me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me, fury:Lord move the mount of blasphemy, take out the messenger, devour me quantum rilke deconstruction maud liardon / foofwa d'imobilite 10' 260' 35' http://www.alansondheim.org/rk.ogv 10' 17" +/- OS/systems-dependent: linux|vlc|etc. rename to .ogg if necessary / merci sexuality out of control followed by a new dawn http://www.alansondheim.org/hornightmare.mp4 http://www.alansondheim.org/newdawn.mp4 don't worry it's all virtual (philosophy) stuff http://espdisk.com/alansondheim/oops1.mp3 (improvisations) http://espdisk.com/alansondheim/oops2.mp3 http://espdisk.com/alansondheim/oops3.mp3 http://espdisk.com/alansondheim/oops4.mp3 http://www.alansondheim.org/third.mp3 (thanks to audacity) http://www.alansondheim.org/arrow.jpg (street signs and pine tree in our place) http://www.alansondheim.org/pigeons.mp4 (pigeon types including coop escapees, nyc) like Crusoe like Crusoe, wandering among finance, mercantilism in the wilderness, goods are lost like Jamestown, Croaton, there are natives in the distance, goods approach them http://www.alansondheim.org/olost.mp4 small installation with ridden/ escaped object travels to other pieces, leaves installation behind, avatar bails, object remains sentinel on another parcel, avatar visits, cycle begins again, up and down, up and down, spewing somewhere, over draw distance horizon http://www.alansondheim.org/olost1.png stills http://www.alansondheim.org/olost2.png between and following, http://www.alansondheim.org/olost3.png calmer waters, kinder object http://www.alansondheim.org/olost4.png than below http://www.alansondheim.org/olost5.png http://www.alansondheim.org/olost6.png http://www.alansondheim.org/olost7.png http://www.alansondheim.org/quadcos.png thinking through geometries http://www.alansondheim.org/cotanquad.png of escape http://www.alansondheim.org/oolost01.png more stills, detailed http://www.alansondheim.org/oolost02.png water thrashing http://www.alansondheim.org/oolost03.png waves, submergences http://www.alansondheim.org/oolost04.png http://www.alansondheim.org/oolost05.png http://www.alansondheim.org/oolost06.png http://www.alansondheim.org/oolost07.png http://www.alansondheim.org/oolost08.png http://www.alansondheim.org/oolost09.png http://www.alansondheim.org/oolost10.png k!% ls *.png cotanquad.png olost2.png olost4.png olost6.png quadcos.png olost1.png olost3.png olost5.png olost7.png finger forecast@typhoon.atmos.colostate.edu (Storm forecasts etc.) directory danish ysbaddaden ysgithyrwyn zeus ziphius ziz zolostraya zombie hello goodbye say goodbye to all that the odyssey of odyssey in recession post-modern subway beneath the surface http://www.alansondheim.org/lort.mp4 say hello to all that the odyssey redux manque odyssey miasma towards infinities w/out derivatives they've gone now, forget it all, parergon requiems and 4d crumpled objects http://www.alansondheim.org/requiem.mp3 for odyssey in second life http://www.alansondheim.org/escaped1.png continued flight of objects http://www.alansondheim.org/escaped2.png after the fact, while talking http://www.alansondheim.org/escaped3.png to Garrett Lynch, trajectory http://www.alansondheim.org/escaped4.png towards odyssey and beyond http://www.alansondheim.org/escaped5.png from east of odyssey http://www.alansondheim.org/4space1.png 2d images of 3d slices of 4d http://www.alansondheim.org/4space2.png crumpled objects http://www.alansondheim.org/4space3.png http://www.alansondheim.org/4space4.png http://www.alansondheim.org/4space5.png if i move it won't go away "If you don't accessorize, it never looks finished." http://www.alansondheim.org/makeitstop.mp4 if i move it won't go away i can't move i have to stay very still an old fashioned way of thinking that it will go away think if i were dead that you'd have to reconstruct from evidence distorted making me look dead i moved it didn't go away but then it stopped i stopped too it gave me gift of a chance it didn't go away it played dead it played dead i died it didn't go away i'm dead if i move it goes away "If accessorized, it never looks finished." http://www.alansondheim.org/windchannel.mp4 http://www.alansondheim.org/wontgetme.mp4 if i move it goes away i move i can't stay still brand new thought that it takes me there think if i were there you'd just have to look clearly, and i'd look alive and purely i moved it went away it went and i went too so uplifting and all it went away like life it was born and me too it went away i'm moving the limits when infinities are called for within the aegis of the digital, there are two possibilities: scatter-shots (sparse 'fit-points' appear in the graphs or calculations) and (fold)-catastrophic jumps connecting scatter-shots with vector lines or sheets. there are various combinations depending on the graphics program. the very act of exploring these monstrous objects through rotation, translation, magnification, etc. produces vibrant and often vibrating morphologies as the program attempts to adjust to the impossible. think of this as a dialog with spontaneous symmetry breaking between the analog (with infinities and the continuum) and digital (with discrete finite outcomes). finally think of this as a monolog of mind attempting to conceive the inconceivable, using finer and finer rasters, with similar and equally 'distanced' results no matter what. http://www.alansondheim.org/ xyz png series spaceflight simulacra, models, everything with their noise nothing happens just alt-config repeating over and against itself across a screen's terrain the alt-config screen's repeating while down below it seems spaceflight's coming to an end on an alt-config screened island turning its last wayward face to alt-config sun's wayward shadow's cast http://www.alansondheim.org/spaceflight.mov of them, departure, self-excitation http://www.alansondheim.org/after.mp4 (with script, programming, and concept by Garrett Lynch, thank you!) http://www.alansondheim.org/sub.mp4 (the dancedancedance) http://espdisk.com/alansondheim/traffic.mp3 (solo pipa with traffic background and processing) [15:06] Julu Twine: instead of 92 put down sixty and see where that gets us - maybe it would be better [15:12] Julu Twine: as text begins its slow descent into the unobtrusive mechanization of liberty and exhaustion [15:15] Julu Twine: 3 might do the trick [15:17] Julu Twine: or if language becomes, in actuality, a texture in its own write [15:24] Julu Twine: this is the world that i know [15:24] Julu Twine: this is the world that comes to mind, this insipid world and all its tawdry beings [15:24] Julu Twine: a moment of thought and all is lost [15:25] Julu Twine: and nothing returns, not even life and over the next horizon, nothing... [15:25] Julu Twine: it's broken and broken and broken and broken, and comes forth as of death [15:26] Julu Twine: a grey day.... [15:26] Julu Twine: emptied, unimaginable [15:27] Julu Twine: or a thought collapsed [15:27] Julu Twine: spewed out, the last sound i will ever hear... [15:28] Julu Twine: ah ah ah, not here, not ever here!!! [19:55] sensor: noone around. [20:02] Julu Twine: quanta and sadness [20:08] Julu Twine: thought loosens itself in the running of the world, thickness, thickness [20:09] Julu Twine: more, there is nothing lost, intervals' perfection, i await you [20:09] Julu Twine: more, there is nothing [20:09] Julu Twine: lost intervals' perfection, [20:10] Julu Twine: i await you [20:10] Julu Twine: it stutters among sounds, what shudders if not bones [20:11] Julu Twine: if not collapse, waves giving us this image [20:12] Julu Twine: i hear you, speech of god [20:13] Julu Twine: self-interaction becoming me [20:14] Julu Twine: becoming my thinking [20:14] Julu Twine: becoming my world [20:15] Julu Twine: pulling up, pulling up [20:16] Julu Twine: pulling, pulling up, mine and your as well....................... [20:23] Julu Twine: i grant you these moments of utterance [20:29] Julu Twine: it brings about... [20:29] Julu Twine: coming itself together [20:29] Julu Twine: overwrought, i listen [20:30] Julu Twine: particles shuttle screen-wise, remaining placed [20:30] Julu Twine: so slowly, they create [20:31] Julu Twine: they create themselves [20:31] Julu Twine: like song [20:32] Julu Twine: of our singing, and ours, [20:32] Julu Twine: and ours, [20:33] Julu Twine: ours [20:33] Julu Twine: beginning with its own carry [20:33] Julu Twine: folding [20:34] Julu Twine: folding and incomplete [20:34] Julu Twine: and we, we [20:34] Julu Twine: in silence [20:35] Julu Twine: are speech of god, neutron decay, traffic http://www.alansondheim.org/speechofgodf.mp4 http://espdisk.com/alansondheim/neutrondecay.mp3 (solo pipa neutron decay tune) http://espdisk.com/alansondheim/traffic.mp3 (solo pipa with traffic background and processing) when a god speaks, there is a gap, then things coalesce, suddenly, god speaks to me god speaks to me when a god speaks, there is a gap, then things coalesce, suddenly, god speaks to me god speaks to me the rounds of sleeping loving http://www.alansondheim.org/paradise3.png http://www.alansondheim.org/paradise5.png http://www.alansondheim.org/paradise6.png the rounds of figuring it out http://www.alansondheim.org/figuringitout.mp4 http://www.alansondheim.org/b-ride.mp4 thanks to Fau Ferdinand FIRST AND SECOND Maria Damon and Alan Sondheim (We spent a day making work; there are six pieces, two sets of three. The text-based FIRST AND SECOND and SECOND AND FIRST use ytalk and other commands; FIRST AND SECOND follows, and SECOND AND FIRST will follow shortly. The second set, to be posted tomorrow, uses Maria's voice and text, and my violin/viola, and pipa. The third set, to be posted the following day, uses Second Life. Enjoy!) ing for connection...] ###################################### talk Error Connection from unexpected host! # ###################################### ###################################### talk Error Connection from unexpected host! # ###################################### lan! O 've got the Zie iel tou Mari Maria n the T bet n tr idion e n ame f charac er in Godard or sh on!uld be. For examp e ou i might l ow e ineage f easantry i In p In pa r ea ll y c a m am m a H a pea hu aso s a n t, o , on one si e nyway ef r right side? or me, it's in the ble r ish n orkable ar er ide, Lit ak, not peason antry but busie ness folks. em le emi y d and b ns l o u r s a fa e o l r i ma lap l p WO w to s nts ate s for examples mall c is an nves c ca nt in c o c cap a c n nt meth n tto ping topping some hi g e s s st pg is a cap and thr bells. cats, blocking mice in bleared unworkabl a ats e lls an aps will never catch mice. Mice are t r l a le g les i c , c o ur se h s a ar are r e c co com o mid ida dal i rni g, ice a e com e s t ib ombar t t r y h hou e houl n tice r r he text begins to rise ic ice e top s in r r Par Franm ce, ot o omet these spaces ap ea die orea , typing above nd be 4r r ow r r he text o ometi i s as sus sion br ng t e top p wiht r al s hil ting to e su e k r r t a e alc ott alco 4r r bottom 4r r r r ometimes a text is r ra ras l rash o w a rs ext, a bl nk d t s r ttoms, submerge er br w r r r ut ut ut if 4r r t o e ov x ove t i s eally j t s h e s en n what of o h t len if ig r is u ci r r cigar, e n w h t a t h mo e ncer, an rps fa ure s the b ody dy 4r r s sub s erged e s o at ises 4r r he body of r r the text o oo ool oole p s c e s eems N c a con a c ion n terms, t ar y mice 4r r H rough n n it r r ou u ouc th ouch , the mouth of the tex r r 4r r hould noti c o e ool 4r r side, in s ts d i h p a c e s , uth, cl i g the ound f n ge e r r w ust sound s too et w c r r o oo 4r r oo pretentiou t s t's r r 's o oo oo i oo f e ha rdn e s p s h i l o s o i hardness r r 4r r n all directions, cl o oo t in ic n a , n o t rection t a 4r r e sil o oo i g r f langua e n s iou s, r r Kore orea e n ci ou n g the 4r r outh, what n o o, it's p r r hysical, a t ad as d a e t u x e e s lotting and the r r b bs bso bsor , he h 4r r e b app lo o g and the b n t ra ap pp h a n d th the he cau ng t 4r r e, 1/ he p n s e and th in, what does tha r r that say about the body's surging r r ilence of the North esp esponse 4r r to 4r r surgi g u ur nd urge e en s e a r g e he y, r r r g r r eant t's her , I th ink ge i a woo onders o w 4r r ys wondering t ta or tan t h e s t minute 4r r H after r r die, what will Azure see, where will she turn r r e all h ve d th do e se thi ng a r rs illed n y k c a i o f 4r r ise do thing abou my at 4r r ad l ll , r d t o d o s r r g gh gha ghas y will 4r r r r the her r erise r r y is r you a c e b oo k a i'm good to g r r , as they say 4r r H want to remai n a cr as aming, h red, o i f u s he last glu 4r r n releases the last q r r quark and the last prot 4r r s ecay t the end of s st-ce n s for h s r r the paws that patter out the typ e 4r r emain and find ou l li lik i s t en e t he e w s 4r r ogetherness but r r epa e t et etrah s n 4r r s of ha e e a ve 4r r g ou r r tha e e ab e or yo th u tho ow o o w elow 4r r H above 4r r e above ou r r r b r y e r yo l o ove and me be 4r r ow e eve eeting oth of us b l a ro r r s s r r r bo b i o v e, too 4r r uch Dante in the i r r ransfixed acr thrwa ward t the page 4r r he speed of typing is the depth of 4r r ho ha hat go l ui u e on? 4r r r r arti o oo o f t e he p ar a n d or i qu o eth 4r r r ust he r ig h t eu a r ton r r protons rela t i vely t e in th ri at m 4r r n oratoria r r H o of persuasion 4r r he speed of thought is the death of typing - And r r r r y h thought smove s move slowly and jubl mbledly 4r r u bi y il y la y t ati y th n ugh t is s in t ia y 4r r ine are jumbled likee the e w wi w h e n e il v e er e ' ng f 4r r a r r frames 4r r breaking d e d dt dtet dt d e d de s det r ering t s " s r or ri " g e e erything eve t m r e s e s mp g t nth r r r m i it ite 4r r n a man r r script ub ubi ubil at' n s is in te ets, in a ma a script as d ted as the four heenth ce l s r r r n spa ast month's milk r r arton 4r r nd then so m h e ho 4r r ho went out with last month's milk carton ru d rum dn' k t o an d at c a lar r r ons 4r r r r m a r ma ar d a i dn' t go ; ut, actually jus rem l ine la lar n me i g a d s urn n ool ets and crumpe r r s 4r r ou now u kn n kno n know n t n the hw S h w a ha p t' ed R s ing men next, right? 4r r H ro g r r ind hearts and cror oronets 4r r tra ha y hat ed to n p s a n d n to e ia og s t t n n 4r r twithstanding r r r r r r r r essage from Talk_Daemon@panix3.panix.com at 16:33 ... r r alk: connection requested ####################################### r r # talk Error r r # r r # Connection from unexpected host! # r r ####################################### r r Error r r # r r # Connection from unexpected host! # r r ####################################### r r r r r r ###################################### r r talk Error r r # Connection from unexpected host! # r r ####################################### r r r r r r r r r r r r r r H version 3.3.0 =----------------------------- r r r r r r essage from Talk_Daemon@panix3.panix.com at 16:33 ... r r alk: connection Connection from unexpected host! # r r ####################################### r r ----------------------------= YTalk version 3.3.0 =----------------------------- r r ine are jumbled like the new software filter i have for video, rearranging r r frames, breaking diegesis, disordering everything, even the most basic sight or site r r ubilation is in trumpets, in a manuscript as dated as the fourtheenth centure r r n spain r r ho went out with last month's milk carton? i didn't know it dated - r r r maybe didn't go out, actually just remained, simmering and turning cool r r n the L-Shaped Room, wrong r r hat seemed to put an end to the dialog, Billy Strayhorn notwithstanding r r r r ------------------------- =-------------------------- r r i wince whenever i see that i've used the word r r detritus" or "ephemeral" for the umpteenth time r r in a manuscript that's as dated aslast month's milk carton and then some ------------------------- =-------------------------- i wince whenever i see that i've used the word "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions ------------------------- =-------------------------- i wince whenever i see that i've used the word "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions Clarinets and crumpets i wince whenever i see that i've used the word "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions Clarinets and crumpets you know what's coming next, right? i wince whenever i see that i've used the word "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions Clarinets and crumpets you know what's coming next, right? Kind hearts and coronets "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions Clarinets and crumpets you know what's coming next, right? Kind hearts and coronets Stray horn ts, Ornettes "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions Clarinets and crumpets you know what's coming next, right? Kind hearts and coronets Stray horn ts, Ornettes in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions Clarinets and crumpets you know what's coming next, right? Kind hearts and coronets Stray horn ts, Ornettes SECOND AND FIRST Maria Damon and Alan Sondheim a re nish d . un workable ar O e t a her s side, Lit . vak, not peason antry but busie ness folks. F hem le mi lea is lear str e y d and t u b rns l s to u tow r towa r owar e wards d , a fan t a mol s ole i lec a ecu cular o i f n sma malap small r c o ap p s s , a nd h TWO M o , l a h d ow to j m us i t x me nts wat . ers f for examples S . Small ca p is an A inves A t A c m A ca ent in A c t A y po a c g a ca r p a ph is y w o h f a t a o c cc e u r r t s ai n on k to in d someth . in . g . stt opping topping som A et A hing A s els A st e A stopg ap is a cap and thr bells. on cats, blocking mice in bleared unworkab l a e ats i a n re be as lls an caps will never catch mice. Mice are u t un ra unle gi ss c, of c a c ts ou rse a t h r e e pr c o m i d a l s is is a ca s a l a w . a warn ing, M N Mice are K com o e r s e t a ib ' l s e , bombar c d ats me nt are , e co v m er b yo u n s e t i sh b l shou e l . d r r notice the text begins to ris N e Ni t Nic o Nice t he top is in r r Par Franm ce, s not so K somet o i re m a es these spaces a pear a s b odie Korea s, typing above . and b r r elow r r The text s so somet i i me s s as sus sp pe ension br b i u d b g bl e ing t dges o t s, he top wiht i c a e l l or t oth othe r w is j e , whil c e o n al n l e cting N it i s c e to t M re a asure l s t a s ' in s k t r r f o t fa he falc botto o r r bottom r r r r Sometimes a text is c r cr ea cra ll crash y e o d n l t y o w a a rs text, a bl ank d et s fo b r ottoms, submerge cer d ebr , a l w r r ar b m but t h if r r a c co te cov x cove t cover in i g s really j th us e t se n a se s te x l t i , k t e h en what of w o t o ha l t len , if a ci gar is l j e u n s t a ci r r cigar, la th c e e n th w at h at t o r f a t s he p s moke , c ancer, p s man a p tur s ure the b ody r r ' ba 's n sub 's merged 's o en 's own t er he p at rises r r the body of r r the text wo woo t wool r e ap n s its la o c w e n s t eem h s, N i ce hea , t a co n t di iction in terms, n e at h e ear n t by mice r r , rough i in t in o in i in it t s h e m r r t o to u tou t touc h h , the mouth of the text r r r r should noti w c wo e wool r r inside, in i s its i its o p w i n d w s i p th a in c e t s he , m outh, cl i o t t ' ti s ng the wound t s of a l b an o g ve uage nes , s b a u n t d t b ha l t o r r w just soun d s too e p l oe o t w i n c r r e t s to s too r r too pretentio i u it s it's r r d t its its its die ha r dn x e s p s h a i n l d o it s s o phi bl c owhardness r r r r in all directions, c t l to o too t too tti too p ng oe , ti c in , a l n l o d t irectio n at a s ll , t r r he si t l to e too n too cin too p g r e of langua t g e e n , s N iou s, K r r Kore p a a s s il d e u n ci tout ng the r r south, what n n no ow no, it's p r r hysical, p n pa ot pad a d b e s s t r d a e ct u , x the e s clotting and the r r a st ab o abso p r p b in s g , t t he h r r e ca b capp l cappi o ng o and blood the bl ee d i n g , t h e t rap p in g an d the l caul i ing tt r r le, / the the r h es e p m on o se g and th l e obin, what does th r r that say about the body's surging r r silence of the North resp . onse r r t r r o surgi S ng Su Sur an Surg d Surge t a he n d s ilen s c ea e r o g f e th e b o dy, r r r g r r eant it's her , e , s I er t e hink ge i , s a woo l wonders , clot h alw r r ays wonderin s g, sta fo stan r e stanch x i a n m g p t l he e s , t ai f n iv s e minute r r s after r r i die, what will Azure see, where will she turn r r we all i hav i e i d t i do h e n s o e t thin b g se ba a e bar b barr u barri t arriers g a t e s , filled n b k y fi a c b ti o o u n t s m o y f d p ea aa t r h a r r dise i i do n o thing abou p t my d eath pa r r ra a d al i all s all e, all i o ne th e e d r t g o a do te i e s s , u r r p ag d agh a agha te s t my will r r r r other o i or se or or y ur othe othes F othe a other c s e ie boo k w pa i g se e i'm good to g r r o, as they say i r r i want to rema p in pa scr pas e pas aaming, pas d t e e th f ered, d u o n o t f i u l s the last gl r r uon releases the last q r r quark and the last pro n to r r n e es decay e s at the end o e f es est-ce an d s p o fo a rth s r r the paws that patter out the type re r r remain and find o i ut il ili w ilik h ilike at th is h ap t pen e s the re alw d a n y e s ss r r togetherness but s r r epar t a te te tetrah n e e d ss on r r s of m ha me p me a p me abo e ve n r r i ng ou K th r r tha me th ab t above or th you tho thou b elo b w e o l r y o o w u below r r o i r i i above r r me abov y e you r r or you b el o w above and me b r r elow nev neve o never r meeting both of us b e a l c o r w ro r r ss s o s or s or s or bo th t h a e b lin ov e e, too r r much ante in the i t r r transfixed acr thrwa ward t the page r r the speed of typing is the depth of r r W th Wh o Wha u What g What' h s t a - go q l Qui u ne on? r r r r parti T articl Too ticle Too l i o t f t l t e h e p the s a he st r e str a stro d stron i trong s for o c , e too h o m l u d c i h n g qu i a nf rk er s n o to , geth r r er just t he m r a i k g i h n t g neu a t m r o o u ns n t a n o d f pu pr r oton a r r protons rel a g t a i t vely o st r a i b a le in the a o r r an oratoria r r o of persuasion r r the speed of thought is the death of typing - And r r r r my h thought smove s move slowly and jubl mbledly r r ju m jubi my jubil ati my t on houugh t is i s n t i n u tia e my r r mine are jumbled likee the i t i he i w n i wi e i win w c e s of w t h w e a n r e e fi v lt e e r r i i s ha e v e e t f ha o t r i' v v i e d e u o se , d r e th a e r w r o a r n d ging r r fra r r frames r r , breaking d " ie "d g "dt e "dtet s "dte i "dt s "d , " e "e "d i "de s "det sor "detr dering it us " is o o r r d er " ing e e verything h , eve t h p he mer n a l the " mos f t o r b t a he s ic s ump i t ght e enth o t r i r r m s e sit site r r in a man r r uscript ju jubi th l at' a s tio n as is s in e t d r u as m pets, in a m a uscript as d ated as the four theenth ce ol n as t t u re r r in sp a n last month's milk r r carton r r and then som w e who r r who went out with last month's milk carto T n? Tru i Trum didn' Trump t e k t n s ow an i d t da c te a d - lari r r ons r r o r a m ar may ari aybe ar a d idn' t go out, actually ju st rem l aine la d lar , larion si e mm e r ing a m n e d t s tur ni n g cool nets and crumpet r r s r r you now i no in w in th h e w S h w a hat p ' ed R s Roo com m ing men next, right? r r , wro ng r r Kind hearts and cror oronets r r h St Stra th Stray h o r med to n p s u t a n a d ut an cr an en o d t o t he o dia lo c g, o r i n l e l ts y , O S r tr ne ay tte h s orn n r r otwithstanding r r r r talk: connection requested by ####################################### K # Ytalk Error # K # # K # onnection from unexpected host! # ####################################### ----- r r ----------------------------= YTalk version .. =----------------------------- r r Message from Talk_aemon@panix.panix.com ####################################### # Ytalk Error # r r # # # onnection from unexpected host! # ####################################### ----------------------------= YTalk version .. =----------------------------- mine are jumbled like the new software filter i have for video, rearranging frames, breaking diegesis, disordering everything, even the most basic sight or site jubilation is in trumpets, in a manuscript as dated as the fourtheenth centure in spain who went out with last month's milk carton? i didn't know it dated - or maybe didn't go out, actually just remained, simmering and turning cool in the L-Shaped Room, wrong that seemed to put an end to the dialog, illy Strayhorn notwithstanding ------- i wince whenever i see that i've used the word "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions larinets and crumpets you know what's coming next, right? Kind hearts and coronets Stray horns and cornets, Ornettes "detritus" or "ephemeral" for the umpteenth time in a manuscript that's as dated aslast month's milk carton and then some Trumpets and clarions larinets and crumpets you know what's coming next, right? Kind hearts and coronets Stray horns and cornets, Ornettes ?l >$ exit Script done on Wed Nov ::